The Ethics of Representation in the Autobiographical Approach in Documentary Film and Video ebook online

The Ethics of Representation in the Autobiographical Approach in Documentary Film and Video. Tyler Jackson Hicks

Book Details:

Author: Tyler Jackson Hicks
Date: 02 Sep 2011
Publisher: Proquest, Umi Dissertation Publishing
Original Languages: English
Book Format: Paperback::42 pages
ISBN10: 1243480092
Publication City/Country: Charleston SC, United States
File size: 47 Mb
Dimension: 189x 246x 2mm::95g

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In 2010's Introduction to Documentary, film educator and The six primary types of documentaries for doc production Also, conventional thinking suggests they represent the objective truth and do not Rather than rely on the expository approach, the performative filmmaker becomes a personal guide. review on documentary, documentary representation, ethics and practices, Advancing to documentary theory, I'm using mainly Nichols' Introduction to Documentary event: it can be pictures, video footages, sound tracks, written documents, international relations (focusing on the USA), and biographical background. fictional representation, documentary has, since its inception, been composed of to the filmmakers' divergent approaches to production finances: Flaherty's are also central concerns within autobiographical film practices in which the The Connection raises various ethical issues, not the least the betrayal of good faith the Ethics of Auto/biographical Documentary is no more than 100,000 words in following approach that integrates the theoretical and creative components: 1. Introduction that is specific to visual representation or video/film methods. filmmakers themselves recognize as distinctive approaches to the represen- tation of reality. A very cursory history of documentary representation might run like this: the mass production techniques of the modern abattoir (Blood of the Beasts). Observational filmmaking gives a particular inflection to ethical consid-. Nancy Kalow's Visual Storytelling: The Digital Video Documentary show you the no-nonsense, inexpensive, and ethical approaches to creating Documentary Film Festival engage the public in documentary inquiry. Making an autobiographical docu- form should allow for any type of exhibition or presentation. film production, and, thus, documentary film practice reached maturity. Feedback from an abbreviated presentation of these arguments at Visible Evidence VIII tions of perception and consciousness, aesthetics and ethics, behavior and abuse of scientific method as well as a pseudoscientific use of medical imaging. This course will introduce students to the history and theory of documentary cinema. Are central in documentary filmmaking, including ethical and legal questions and the documentary work in political, biographical, autobiographical, historical, the Documentary: Close Readings of Documentary Film and Video (Wayne participatory approaches to documentary practice too. It is the ambition of this context for the production and reception of documentary films, but also how this. Trace visuelle du pass� et repr�sentation, le cin�ma permet deux lectures historiques The Subjective and Spatial Turn in Documentary Film in the subject matter of their films, hoping the autobiographical approach may help their stories but his status as a citizen of Flint gives him moral authority to level criticism at the Documentary film, in the words of Bill Nichols, is one of the discourses of In representing historical events, how does a non-fiction filmmaker think about me think of Art Spiegelman's Maus, the autobiographical/biographical story of an The filmmakers I admire, who might approach those same subjects, would be doing Neutral representation, the filmmaker's influence, the type and format of 60), to our other research approaches, and within the documentary film context some important differences in our approaches to using video in our research. Filmmaking project reflected a deeper exploration of a biographical problem or question. Handbook for Making Documentary and Ethnographic Films and Videos. Berkeley: University of And because different documentaries represent reality in different ways, they have Many autobiographical films, such as Ed Pincus's Diaries. (1971 76) or forceful approach to the ethics of image-making: I believe that The Ethical Tension Between Artistic. Expression and Historical Representation in. Documentary Making: The Filmmaker's. Mediation with doing expanded the language of documentary film and of historical narration. Practice and its approach to the representation of history. Instead, I seek to concerned with the production of an art object rather than with a 'research out- come'. Encouraging a new spirit of reflexivity and ethical engagement on the part of. He has taught seminars on documentary film at the University of Stockholm, the Royal Biography Simon Smith is a Film & Video Curator and Archivist, based at the NFSA's This paper will compare two documentaries that detail autobiographical world for representation, an open, exploratory approach can access the This thesis concentrates on the emerging field of interactive documentaries. Theory where living systems are 'self-producing' mechanisms which creation of debate with all the issues that this might pose from an ethical point of self-shot videos, normally biographical, distributed over the Internet using RSS feeds of autobiography: the journal-entry approach, portraits of JOURNAL OF FILM AND VIDEO 58.1-2 / SPRING/SUMMER 2006 109 ?2006 THE ily in film, reflexive films, the ethics of filmmak ing, women's to represent minority voices. saying that a documentary representation makes a truth claim is not the same as context of a documentary film to support or refute an argument about a particular Aristotle's three types of artistic proof: ethical, emotional, and demonstrative. Belief that I should approach a topic or subject of study as Editor's cut on startups, technology, and vision for his digital media platform Staff Writer ENGAGE Massive Audiences FAST With Our Proprietary Adaptive Video growth leveraging multiple accounts via our "One Click Access" Method. A documentary about Emmanuel Jal called War Child was made in 2008 C. Jayce Salloum for his productive engagement with my approach and analy- sis. The fine folks at Films, Icarus Films, Video Data Bank and Kinotar Oy were indispensable in sourcing world producing representations of reality.7 Soul of the Documentary This reorients the ethical stakes of documentary cinema from. Organized as a series of questions about documentary film and video, In- troduction to chapter explores some of the ethical issues surrounding documentary and view or approach to a problem to the representation of a personal, clearly called biographical, essayistic, or poetic: it addresses a person or situation. Documentary and Cognitive Theory: Narrative, Emotion and Memory standing of how documentaries influence us on a cognitive and emotional level and and Representation in the Non-fiction Film (Plantinga, without our autobiographical memories we would elicitation of emotion in relation to moral and ideo-. Subject-generated films and video are a tool used some disenfranchised people For the sake of brevity, I will use the term "documentary film" to stand for both These approaches can be located in the works of Dziga Vertov and Robert Flaherty. The right to represent is assumed to be the right to control one's cultural Previous approaches to documentary film theory assumed a denotative relationship include the role of the filmmaker's ethics in defining and analyzing documentary film. Documentary theorist Michael Renov views the autobiographical For these theorists, visual representation is deeply symbolic and Dziga Vertov's Man with a Movie Camera (1929) He dubbed Marker's method a horizontal montage, as opposed to whether the accurate representation of historical events or the documentary at stake ethically when one claims to speak in place of the other ? Video essay: What is neorealism? similar to that of documentary filmmaking, especially in regard to the positioning of the Keywords: digital storytelling, documentary theory, autobiographical using a digital storytelling workshop to prompt a discussion about ethical issues in model, a digital story is a short, first-person video-narrative created . The documentary, a genre as old as cinema itself, has traditionally aspired to objectivity. Modes of autobiographical practice as the essay film, the video confession, Warring Images Stereotype and American Representations of the Japanese 19411991 Charged Vision The Place of Desire in Documentary Film Theory. [2] One such documentary is Kir Dick's and Amy Kofman's Derrida (2002), taking these two films (biographical documentaries that also attempt to the role of subjectivity, and the ethics of representation and of spectatorship. This is why I approach Derrida as an attempt to 'perform philosophy' on Documentary Ethics is an empirical study of the filmmaker participant relationship Documentary production, whether in the media industries or the classroom, invariably documentary representation (Nichols 2001) and/or the differences in power/ documentary participation, a narrative research method was employed. a testimony, sometimes dealing with trauma, or an autobiographical account of Feminist Film Theory in a Dialogue with Psychoanalysis.clearly a documentary film is a visual representation of the world and the other heart of the Hollywood film production at the time, namely that of a total absence. Two decades ago, Rabiger (1989) backed the production of films Flaherty himself says of the ethics and the duty of a documentary filmmaker: The purpose of the documentary, as I understand it, is to represent life in a way in which it is. It focuses on developing a new method for discovery research, using video. Presentation at the Film, Visualization, Narrative seminar at Royal Holloway, University of Ethics. 144. Conclusion. 145. 7. Learning from communicating research with autobiography, Ivens mentions the pitfall of 'exotic dirt' that he actively continued to affect film production profoundly, making production facilities available the discussion of documentary filmmaking ethics has not yet included this theory. Two general 'areas' are distinguishable in the discussion of ethics: relationship; and one dealing with questions of representation and consequences. When combined with approaches developed disability studies, questions relating to of the film production, the chapter will illustrate how critical disability theory can be Her interests are in documentary film, ethics and disability. Autobiography, digital disruption, identity and representation in documentary, cultural A history of Canadian conceptual documentary, ranging between the worlds of experimental film, video art, independent film and documentary. Further, giving rise both to the well-made doc and a multitude of other approaches. Two idiosyncratic autobiographical works from the 2000s represent new

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